我们的短片《烟消云散Field》将于6月24日在AVIFF艺术电影节(AVIFF Cannes Art Film Festival 2023) 位于马赛的Les Variétés电影院(au cinéma Les Variétés à Marseille) 法国首映。

AVIFF艺术电影节官方网址：https://www.art-film-festival.com/

AVIFF艺术电影节(2023)官方海报，图片素材来源于《烟消云散Field》的剧照-手机的视角（图中演员乐曦）。

《烟消云散Field》入围AVIFF艺术电影节官方竞赛，剧照-鱼的视角（图中演员蔡舒婕）。

《烟消云散Field》入围AVIFF艺术电影节官方竞赛，剧照-场域的视角（图中演员蔡舒婕）。

《烟消云散Field》讲述在当下混沌的后现代场域里，通过从“人、火、水、空气、土、鸟、狗、鱼、手机、场域”的视角凝视/注视世界，处于不同时空的四对暧昧不明的男女形成一个情感共通体。

AVIFF Cannes Art Film Festival:

The AVIFF festival has been presenting films by artists in Cannes for 13 years during the Cannes film festival, as another “cinema” a 3rd way/voice between cinema and audiovisual, cinematographic work and contemporary work of art.

Since then, the AVIFF festival has become an essential place for exchanges between authors, directors, artists and art industry professionals who come from all over the world to meet the public.

During the year the Festival then presents its official selection in partner places, public & private, cultural and educational institutions according to a program negotiated with the host places and the Artists.

机翻：

AVIFF戛纳艺术电影节：

13年来，AVIFF电影节一直在戛纳电影节期间放映艺术家的电影，作为另一个“电影院”，电影与视听、电影作品和当代艺术作品之间的第三种方式/声音。

从那时起，AVIFF电影节已成为来自世界各地的作家、导演、艺术家和艺术行业专业人士与公众交流的重要场所。

在这一年中，电影节根据与主办方和艺术家协商的计划，在合作伙伴、公共和私人、文化和教育机构中展示其官方选择。】

《烟消云散Field》剧照-鸟的视角。

《烟消云散Field》剧照-场域的视角（图中演员杨厚垚和崔楠）。

《烟消云散Field》剧照-场域的视角（图中演员刘一莹和丁建钧）。

《烟消云散Field》还曾于去年10月在TiSFF电影节(Thessaloniki International Short Film Festival 2022) 希腊首映、11月在萨勒诺国际电影节(Salerno International Film Festival 2022) 意大利首映。

更多短片信息：

“如果你热爱自由，就不要揭开我的面纱。”

“因为没有一个地方不在凝望着你。”

你的观看点燃了一道目光，目光在目光的对象内中融化，感觉者与被感觉者混淆了。粒子在飞入与飞离，我们脱离自我，辐射出去，闪烁于火，散裂于水，呼唤于风，掩埋于土，与鱼一起飞潜，与鸟一起飘游，被狗舔舐，被电磁穿越。我们变成事物，我们变成世界。

混沌的场域于共通中唤醒四种充满矛盾、暧昧不明、似是而非的情感——一个男人在火烧火燎的露天烧烤摊参加同学聚会，喜遇20年前的初恋却打消了上床的欲望；一个女人因朋友病危情急在路上拦了一辆车，冒雨行驶了一天之后又改变了主意；一个女人与多年的男友在宾馆偷情过后，狂风袭来意欲分手然而也没成功；一个男人在城郊沙尘遍地的荒野酗酒时与妻子通电话，因偶然谈及死亡他遂起意自杀……最终，言语道断，心行处灭。

“我们回到那里，我们从未去过的地方。”

“我们处于奇遇之中，又永远地走向奇遇。”

Synopsis

“If you love freedom, don’t unveil me.”

“For here there is no place that does not see you.”

Your look has ignited a gaze, a gaze that melts into the object of the gaze, confusing the perceiver with the perceived. As particles enter us and our particles spurt out, we disentagle and radiate ourselves - flickering in fire, dispersing in water, shouting into the wind, buried in the earth, diving with fish, soaring with birds, licked by dogs, perfused with electromagnetism. They we become, and the world we thus shall be.

A chaotic field awakens four kinds of emotions that have this in common: they are full of contradictions; they are ambiguous and indeterminate; they seem real but are fictions. A man attends his classmates’ reunion at a scorchingly hot open-air barbecue stand. He is delighted to meet his first love from 20 years ago, but gives up his desire to have sex with her. A woman, anxious to see her critically ill friend, flags down a passing car, but changes her mind after an entire day of driving through the rain. A woman meets her long-time boyfriend for a tryst in a hotel room. Assailed by a fierce wind, she intends to break up with him, but does not have the strength to do it. A drunken man calls his wife from a dusty, gritty vacant lot on the outskirts of a city. He mentions death in passing, then decides to kill himself.

“We have returned there where we had never been.”

“We are in the midst of an adventure, and are forever heading towards it.”

现今我们在数字化全联网的过度消费、过度同质化交际，以及对于科技能力的过度追求中，使得社会生活向景观式虚无化幻影转变。

不过后现代知识世界不再有元话语，数据在原则上任何人都可以得到，从而也创造了一种新的超越认同的非实质性认同——“无主体的共通体”的可能性。

我们在短片《烟消云散》中试图用新的关联虚拟存在的一种可能。人与火、水、空气、土、鸟、狗、鱼、手机、语言等，通过凝视/注视把自身独一性他者向外敞开，而形成知觉共鸣的沟通迭奏中，唤醒不同意识中的情感经验。

每个人都被给予到世界，在混沌中相互渗透而自创生出存在于共通的概率云之域。

像阿甘本所说“救赎的隐秘特征：唯当我们不再‘是’的时候，我们才可能得救。你一旦看到了世界的不可挽回性，世界的超越性亦即刻到来”。

Director's Statement

Nowadays, we are immersed in thoroughly networked over-consumption, excessively homogeneous social interactions, and a single-minded pursuit of technological capability. This transforms social life into an empty, illusory spectacle.

Nevertheless, the world of postmodern knowledge no longer has a meta-discourse. Data in principle is accessible to anyone, thereby allowing for the possibilities of a new “subjectless community”, whose membership demands no substantial commitments but transcends what we now understand as identity.

In our short film Field, we try using a new kind of inter-related, to fictionalize the existing possibilities. Persons – in their relationships with fire, water, air, earth, birds, dogs, fish, cellphones, language etc. – Regarding, or gazing becomes a way to open up the solipsist self, thereby awakening emotional experiences in different consciousnesses by means of iterations of communication that form perceptual resonance.

Every person is given to the world. From the chaos where everything infiltrates everything, thereby generating a “autopoietic areality” that exists in a probability cloud of “being-with-one-another”.

“The innermost character of salvation is that we are saved only at the point when we no longer want to be,” as Giorgio Agamben has said, “We can have hope only in what is without remedy. That things are thus and thus-this is still in the world. But that this is irreparable, that this thus is without remedy, that we can contemplate it as such-this is the only passage outside the world.”

《烟消云散Field》海报，设计师艺术家王我。

导演/编剧 吕美静 Written for the Screen and Directed by Lü Meijing

故事改编自于一爽小说 Based upon Books by Yu Yishuang

制片人 潘思夷 李召玉 吕美静 Produced by Pan Siyi and Li Zhaoyu and Lü Meijing

吕美静

导演，编剧。1988年生于辽宁。本科学理。2011-2016年于文化媒体编导多部纪录片、实验片、短片。2017年开始独立创作。2017-2022年，写作一部软科幻黑色电影剧本《脸谱星座》，入围2018年秋季及2019年秋季鹿特丹电影节HBF基金的剧本开发计划短名单。

作品列表：

《流亡的故城·诗人顾城纪录片》（2016），纪录长片，并主编出版图书《顾城·故城》

《门》（2016），实验短片

《烟消云散》（2022），短片

于一爽

作家。1984年生于北京。

出版小说集《一切坚固的都烟消云散》、《火不是我点的》、《生活别爆炸》、《船在海上》等。

曾获《人民文学》最佳中篇小说奖和《十月》青年作家奖。2016年法兰克福书展中国作家代表。

潘思夷

恐怖类型片导演。独立制片人。诗人。南瓜奇幻影展策展人（2016-2023）。

作品列表：

《月圆之夜》（2014），导演

《烟消云散》（2022），制片人

《子归》（2023），制片人

李召玉，独立制片人。中国女性影展策展人（2013-2015）。软件工程师。目前居住于加拿大。

作品列表：

《路边野餐》（2015），制片人

《流亡的故城·诗人顾城纪录片》（2016），制片人

《地球最后的夜晚》（2018），海外制片人

《烟消云散》（2022），制片人