来自塞尔维亚的尼古拉（Nikola）已在电视和电影行业工作了17年。他于1998年踏入职场，在塞尔维亚国家广播公司担任3D与动态图形师。2004年，他在MediaPlus担任精剪师与调色师，就是在这段时间他爱上了调色。他意识到自己对色彩非常敏感，而且擅长与客户沟通，于是他利用这两种特长将客户的愿景搬上屏幕。

Nikola Stefanović has worked in the Television and Film industry for the past 17 years. He started as an 3D & Motion Graphic artist in 1998 at National Broadcast Corporation of Serbia. It was in 2004 when he started working as Online artist and colorist at MediaPlus when he fell in love with color grading. He realised that he has a meticulous eye for color, and a strong communication with his clients, which together helped him bring their vision to the screen.




截至2009年，他分别在塞尔维亚、韩国和中国担任过高级调色师。2016年6月，他加入数字王国中国，成为数字王国中国调色师一份子。为商业广告、电影、纪录片、电视剧和音乐视频提供色彩分级与润色服务。

As of 2009, he has worked as a Senior Colorist in Serbia, Korea and China - respectively. June of 2016, Nikola joined Digital Domain China, as one of our colorist. He provided color grading and finishing for commercials, feature films, documentaries, TV series and music videos.




他在过去18年中从事后期制作工作，并且意识到制作美丽的图片、培训同行、解决复杂的工作流程问题，这些都是自己的兴趣所在。

Over the last 18 years he spent working in post production, and learned that he enjoys making good looking pictures,training peers, trouble shooting complex workflow issues.




他曾与诸多一线导演合作，包括奥利维尔·梅加顿（OlivierMegaton），杰弗里·达林（Jeffrey Darling），古斯塔夫·约翰森（Gustav Johansson），罗布·奇（Rob Chiu），拉斐尔·洛佩兹（Rafael Lopez），保罗·格塞布洛克（PaulGeusebroek），萨洛蒙·莱林姆（Salomon Ligthelm），戴夫·迈尔斯（Dave Meyers）等等。

He has had the pleasure to work with the directors from all over the world such as Olivier Megaton, JeffreyDarling, Gustav Johansson, Rob Chiu, Rafael Lopez, Paul Geusebroek, SalomonLigthelm, Dave Meyers,　 just to name a few.


                                        尼古拉Nikola Stefanović的调色作品集


尼古拉的目标是借助于他丰富的专业知识和对作品的十足信心为每一位客户提供专业服务。“我认为导演/摄影导演和调色师之间的关系基本上可以分为两类：一种是，你完全得到他们的信任，因为你们已经多次合作，而且志趣相投；另一种是，你们只合作过一次或几次，他们对你还没有完全放心，还有些谨慎，他们仍然不确定你是否有能力为他们带来奇迹。我相信这种关系和其他任何关系一样,花费的时间越多，得到的信任就越多，整个过程也就更轻松，因为他们知道能够从你这里得到什么。在广告业，这种关系非常重要，但在电影业,这种关系则是重中之重。”

Nikola’s goal is to give every client he services professionalism together with knowledge and complete confidence in the product he provides. “I think there are basically two categories of relationship between a Director/DoP and colorist: One, when you get complete trust from the their side, because you worked together so many times and you have matching sensibilities, and the other is where you worked together just once or maybe a few times, and they are still not fully relaxed, and are some what cautious ，they still don’t know your capabilities to perform magic for them. It’s a relationship I guess like anyother , the more you spend time, the more trust is built and the more relaxed the whole process is as they know what to expect. In advertising this relationship is significant, but for film ，it can be crucial.”