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FIRMWARE v4.10.100
NEW FEATURES (ODYSSEY7Q+)
4K 10-BIT HDMI SUPPORT
4K Apple ProRes 422 (HQ) 23.98, 24
UHD Apple ProRes 422 (HQ) 23.98, 24, 25, 29.97, 30
1080P60 10-BIT HDMI SUPPORT
1080p Apple ProRes 422 (HQ) 50p, 60p
NEW FEATURES (ODYSSEY7Q & ODYSSEY7Q+)
EXTENDED WARRANTY (ODYSSEY7Q ONLY)
All Odyssey7Q warranties are automatically extended to January 1, 2016. (See bulletin to Odyssey7Q
owners for details.)
4K/UHD DUAL-LINK 3G-SDI INPUT
Input 4K/UHD video via dual-link 3G-SDI. For use with cameras such as F55, GH4 with YAGH base,
and Phantom Flex4K.
MULTI-STREAM HDMI INPUT
Allows HD video signal over HDMI as one of the inputs for Multi-Stream Monitoring.
MULTI-STREAM 720P INPUT
Allows 720p HD video signal for Multi-Stream Monitoring. Mixable with 1080i and 1080p HD video.
SONY FS7 (WITH XDAC-FS7 EXTENSION BACK) SUPPORT
Record modes available with FS RAW Record Option
4K RAW 23.98, 25, 29.97, 50, 59.94
2K RAW 23.98, 25, 29.97, 50, 59.94, 100, 119.88 (120), 200, 239.76 (240)
4K RAW to 4K Apple ProRes 422 (HQ) 23.98, 25, 29.97
4K RAW to UHD Apple ProRes 422 (HQ) 23.08, 25, 29.97
4K RAW to 2K Apple ProRes 422 (HQ) 23.98, 25, 29.97, 50, 59.94
4K RAW to HD (1080p) Apple ProRes 422 (HQ) 23.98, 25, 29.97, 50, 59.94
Note: FS7 S-Log3 supported in RAW & Apple ProRes record modes
SONY FS700 4K RAW TO 4K/2K APPLE PRORES
Additional record modes available with FS RAW Record Option
4K RAW to 4K Apple ProRes 422 (HQ) 23.98, 25, 29.97
4K RAW to 2K Apple ProRes 422 (HQ) 23.98, 25, 29.97, 50, 59.94
CANON C500 4K/QHD RAW TO 4K/UHD APPLE PRORES
Additional record modes available with Canon RAW Record Option
4K RAW to 4K Apple ProRes 422 (HQ) 23.98, 24, 25, 29.97, 30
QHD RAW to UHD Apple ProRes 422 (HQ) 23.98, 24, 25, 29.97, 30
Note: 4K “half RAW” to Apple ProRes not supported.
RELEASE NOTES
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RELEASE NOTES
NEW FEATURES (ODYSSEY7, ODYSSEY7Q, ODYSSEY7Q+)
HDMI RECORD TRIGGER
Start/stop recording on Odyssey from Panasonic GH4 (with new GH4 firmware) and Sony a7S.
HDMI TIMECODE SUPPORT
Capture timecode data from Panasonic GH4 (with new GH4 firmware) and Sony a7S.
1TB ODYSSEY SSD SUPPORT
Allows the use of the new Odyssey 1TB SSD in Odyssey monitor/recorder.
CUSTOM FRAME GUIDES
Up to four user-programmable frame guides in six color options. All four frame guides plus one preset
frame guide can be displayed concurrently.
PLAYBACK NOTES
Expanding PLAY Markers functionality, a Notes text field is now available in Clip XML data as well as
a Good/Bad take indication. Used in conjunction with new CD APPLE PRORES TRANSFER UTILITY
1.5, a Final Cut XML can transfer Markers and Notes to FCPX, FCP7, Adobe Premier and Resolve 10
& 11.
PSF VIDEO OUTPUT OPTION
Certain modes add choice of true progressive (p) or Progressive-Segmented Frame (psf) video output
for expanded compatibility with other equipment.
OLED CALIBRATION CONTROLS
RGB Gain and Saturation controls added for the OLED display, with reset.
2K APPLE PRORES SUPPORT FOR CANON C500 @ 50P/60P
Record C500 2K @ 50p/60p in Apple ProRes 422 (HQ)
CD APPLE PRORES TRANSFER TOOL 1.5
Support for expanded Marker & Notes functions. Required for MAC OSX Yosemite compatibility. Java
JRE 1.6 required. CD Apple ProRes Transfer Tool available for download on the Convergent Design
website.
FIXES & IMPROVEMENTS
• FIXED HDMI input detection with Blackmagic HDMI to SDI Converter
• FIXED SDI input detection with Blackmagic SDI Studio camera (50p, 59.94p)
• FIXED Pixel Zoom image blackout when dragged to corner
• FIXED Pixel Zoom scrolling image when dragged to corner
• FIXED Safe Eject errors after mid-recording power loss
• FIXED Audio Gain adjustment
• FIXED FS700 low white balance clipping
• IMPROVED SSD menu function controls
• IMPROVED Screen Saver brightness
• IMPROVED Separate FS7 & FS700 camera selection in Odyssey menus
• IMPROVED Apple ProRes 47/48p Project Rate added
• IMPROVED LTC timecode trigger in HD ProRes
• IMPROVED Support to record 2K/HD @ 48p in Apple ProRes 422 (HQ)
• IMPROVED 4K Playback shows UHD center cut of 4K image
RELEASE NOTES
KNOWN ISSUES
MONITOR
• Occasionally when zooming, the image will stretch, zooming again will correct.
• FS7 Cine S-Log3 / S-Log2 not currently supported
PLAY
• Occasionally in Play there is an audible tone heard at the end of the file. Recording is unaffected.
• Custom name text may run out of box into other areas of the top menu when first entered.
• Play Markers created in previous firmware not supported.
• Occassionally Scrubbing while playing 4K ProRes can cause image stuttering.
• Occasionally Pausing during playback of 4K ProRes can cause image stuttering.
• Occasionally a playlist file starting timecode will read 0’s. Remove and reinsert SSD to correct.
RECORD
• Occasionally HDMI input signals are not detected. Disconnect and reconnect HDMI plug to correct.
• Occasionally when switching modes to Canon 4K Raw to 4K ProRes, Odyssey fails to detect frame
rate. To correct disconnect and reconnect the SDI input.
KNOWN ISSUES (FROM PREVIOUS RELEASE: 3.10.100)
AUDIO
• SDI/HDMI outputs occasionally will not carry audio. Cycle Odyssey power to restore.
• SDI/HDMI audio occasionally will have a static pop when powering up.
• Audio will occasionally swap tracks when recording in DPX.
• Using Analog Audio and HDMI video, occasionally SDI, HDMI and headphone outputs do not carry
audio.
• Audio output (headphones) occasionally flips channels.
MONITOR
• Focus Assist in Edge Enhanced mode and recording Apple ProRes 422(HQ) shows edges as white
instead of selected color.
• PIXEL ZOOM in RAW or DPX occasionally causes stretching of image. Recording is unaffected.
• Switching between ARRIRAW 1.5G DL and 3G DL occasionally can make the image incorrect
on the OLED screen. Disconnect & reconnect one of the SDI inputs to correct. Recording is
unaffected.
• SDI/HDMI outputs have a pink line in image on Canon C500 2K 12-bit/10-bit video. Recording is
unaffected.
• IO Industries RAW files do not send color balance metadata to the Odyssey7Q so images appear
incorrect. Recorded metadata color balance is set to 5600K but is not baked in.
PLAY
• Very fast scrubbing can show bad colors. The image corrects after scrubbing completed.
• PLAY mode audio occasionally out of sync.
• Playlist occasionally reports timecode as “00:00:00;00”. Eject and re-insert the SSD to correct.
• PIXEL ZOOM in PLAY mode, 1080i60 not supported & will blank image. Recording is unaffected.
• Scrubbing RAW or DPX files occasionally causes the image to pixelate. The image corrects after
scrubbing completed.
• FS700 2K RAW files occasionally show improper colors on initial selection of a clip. De-select and
then re-select the clip to correct.
• FS700 RAW files occasionally show vertical line on right edge of frame. Recording is unaffected.
• F700 4K RAW 50p files occasionally do not play back audio. Recording is unaffected.
• FS700 RAW 30p and 60p files occasionally play with jitter. De-select and re-select to correct.
Recording is unaffected.
• Multiple clip playback not supported in RAW formats.
• Canon UHD RAW occasionally plays back black image. De-select and re-select to correct.
Recording is unaffected.
RECORD
• Audio at the last few frames of an Apple ProRes 422(HQ) file occasionally records static. Add two
seconds of pre- and post-roll to shots to avoid.
• ARRIRAW 4:3 mode is currently unsupported.
RELEASE NOTES
POST
• FS RAW files appear green when imported directly into SpeedGrade. Pending Adobe update,
import via dynamic link from Premier.
• Canon Cinema 4K half RAW 100/120 does not work in Adobe or Resolve Working with Adobe and
BMD to resolve.
• In Resolve 11 Lite, FS700 RAW (CinemaDNG) files that are underexposed may appear green when
using “Auto-Color” setting. Working with Blackmagic Design to resolve.