第1期_《博尔赫斯窗台上的猫》潘思夷

博尔赫斯窗台上的猫
Cats on Borges’ window sill


片长(Length)：17min
完成年份(Year)：2009
影片类型（Type）：纪录 Documentary
导演(Director)：潘思夷 Pan Siyi
编剧(Screenplay)：无 / None
摄影(Cinematography)：賴錦坤Lai Jinkun 朱恩澤Zhu Enze 於洋 Yu Yang 馬銀川 Ma Yinchuan
录音(Sound):廖勇 Liao Yong 於洋 Yu Yang
剪辑(Editing)：潘思夷 Pan Siyi
主演(Cast)：彭丕 Peng Pi 魯瞻 Lu Zhan 莊瑞傑 Zhuang Ruijie　李紅旗 Li Hongqi 鄒曉炫 Zou Xiaoxuan 劉華星Liu Huaxing
学校(school)：栗宪庭电影学校 LXT’s film school
对白(Dialog)：中文 Chinese
字幕(Subtitle)：中文 Chinese

参展信息：
第四届北京独立电影展/The 4th BIFF
第四届重庆民间映画交流展/ CIFVF2010
第二届杭州大学生电影节/ HSFVF2010

故事梗概：
六個特立獨行難以歸類的人，被關在一間黑屋子里。燭光中，他們試圖用語言來闡述生命中一些深刻的經歷或對世界的模糊認知，陪伴他們的還有隱約的貓叫聲。他們的表述沒有主題，唯一的游戲規則是不可打斷他人。
Synopsis：
Six maverick anomalous persons been locked in a room in darkness. In the gloomy light of candle, they attempted to elaborate some profound individual experiences and their vague understanding on the world, accompanied their voice a cat cried somewhere. Their expressions have no theme, the only rule is don’t interrupt other people’s words.


导演简介：
潘思夷，女，湖南瀏陽人。曾先后任職于湖南電視臺娛樂頻道、中唱華夏演出有限公司、北京派格太合環球傳媒有限公司，目前無業，自由人。自2007年開始嘗試獨立創作，有不成熟作品：記錄《三元橋下》30’；記錄劇情《東邊月亮西邊雨》60’；荒誕奇幻《一個堂客們的夢》5’；實驗記錄片三部曲之一《博爾赫斯窗臺上的貓》21’
Bio - filmography of Director:
A freelancer female independent filmmaker, from Liuyang, Hunan province, now based in Beijing
Experience from the media industry:
Hunan TV Entertainment Channel,
CRC Huaxia Performing Arts Co.,
Pegasus & Taihe Entertainment International.
Independent film directing career:
2007　Under the Sanyuan Bridge (san yuan qiao xia)　　　　 30′Documentary
2007　The dog named HeiZi (dong bian yue liang xi bian yu)　60′Documentary drama
2008　A Dearm with sadness (yi ge tang ke men de meng)　　 5′ Experimental short film
2009　Cats on Borges’ window sill (Borges’ chuang tai shang de mao)　21′Experimental documentary
导演阐释：
拍前設想的是，這個短片只是三分之一部分，是前引。接下來還會分別在2011年、2012年持續跟蹤記錄六個人的生存狀態和內心世界的轉折變遷。我想用實驗的手段去記錄人物內心，去發掘那些肉眼看不到但埋藏在我們內心深處的恐懼與絕望，或者一縷不曾泯滅的人性光芒。
Director‘s interpretation:
As to my conception before shot, this short documentary short subject is one third of this whole story, prelude of the work. Then, in the year 2011 and 2012 I will track these people to record the change of their living condition, the change of their inward world. I want to film the innermost being of individuals, to discover the fear, despair or some unfading lights of humanity which perhaps not visible but buried in our hearts.


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